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Published Friday, December 26, 2008 by Tatyanavvganqbjkvv.
The Ten Commandments is a movie that everyone can enjoy together.This is something not usually seen in movies of this type, so it makes it an unusual, yet pleasant experience.The movie is absolutely stunning and Judith Anderson deliver some award winning performances in this movie. I also think Anne Baxter was great!
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments (DeMille had already filmed an earlier version in 1923) has an anachronistic, impassioned style that finds lead actors Charlton Heston and Yul Brynner expressively posing while hundreds of extras writhe either in the presence of God's power or from orgiastic heat. DeMille, as always, plays both sides of the fence as far as sin goes, surrounding Heston's Moses with worshipful music and heavenly special effects while also making the sexy action around the cult of the Golden Calf look like fun. You have to see The Ten Commandments to understand its peculiar resonance as an old-new movie, complete with several still-impressive effects such as the parting of the Red Sea. --Tom Keogh
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Tom Berenger leads an outstanding cast in this bone-crunching dramatization of legendary college football coach Paul "Bear" Bryant's debut at Texas A&M in the summer of 1954. The often unnerving story finds Bryant ducking the school's good ol' boy network of rich, influential alumni by spiriting his new team away to a makeshift training base in a tiny town called Junction. There, Bryant runs the equivalent of a POW camp, brutalizing an oversized, underdeveloped bunch of rowdy young men and tormenting those who seek medical attention for cracked spines and deadly heat exhaustion. Berenger delivers a warts-and-all performance as the vulgar, monstrous, yet much-respected Bryant, and the direction by seasoned television vet Mike Robe (Son of the Morning Star) is brisk and almost explosively charged. Whatever one thinks of Bryant's punishing methods, the film does not flinch from telling its powerful tale. --Tom Keogh